The routine is all too familiar. You log on to your web platform of choice to get your skate video fix and queue up the day’s hot new parts. The clips start to play but soon your attention dwindles. By the time the 20th trick is flying by – followed by another, and another, and another – nothing’s really registering.
What is there to gain from this type of daily intake of skate parts? You aren’t likely to fall in love with a new person’s skating. You won’t get inspired go to your local spot and try a trick you just saw online. You’re certainly not rushing to the shop to buy the latest pro model from whoever’s part you watched that day.
A new skate part was once the most powerful marketing tool for moving product and growing recognition. It also regularly moved skateboarding forward by showing us never-before-seen tricks and new approaches and styles. Now, it’s devolved into the equivalent of a sign twirler dancing on the corner, competing for people’s ever-diminishing attention spans.
I’m not saying skaters should no longer film tricks. Sponsored skateboarders should always be filming, and many of them should film much more than they currently do. But pros shouldn’t rely on video parts as their bread and butter, because if you dedicate a full eight months of your life to something that will be buried in a news feed overnight, you completely misunderstand today’s skate economy.
The most valuable currency in skateboarding today is what we like to call “The GIFable Moment”. If you want the video part you worked so long and hard on to be even remotely relevant, you need a minimum of one (1) clip that can be extracted and disseminated throughout social media.
Given the speed at which content is released these days, if a clip doesn’t rack up likes, retweets, reblogs, and reposts all across the internets, it basically doesn’t exist after two days.
While a part may only be three minutes long, it’s still not as easy to share or consume than a clip that’s only three seconds.
These simple clips are quicker to come by on your various feeds and require no commitment from viewers. By the time you figure out who’s in the clip or what the trick is, the clip is already over, whereas a full part might take just as long animating the skater’s name across 16mm footage of pigeons. And since each day brings so many new parts, you’ll likely watch any given part once and never come back to it.
But GIFable Moments have a built-in rewatchability. It’s these unique, iconic, creative moments that we can revisit with ease that will make today’s popular skaters into tomorrow’s legends.
But what if your skate skills are just mediocre and you can’t come up with a good GIFable moment? Don’t worry, your career won’t end over a lack of reposts. There are other ways to solidify a lasting and influential skateboarding career that pack more of a punch than releasing a banger part.
Owning a fledgling clothing brand, hosting candid sit-down interviews about personal struggles, vlogging about hobbies outside of skateboarding, even competing in Street League can bring you more meaningful exposure than a new part. Of course you can’t rely solely on these tricks. You have to release some real deal street footage to avoid becoming an unmarketable kook, and full parts definitely fit that bill, but if you can possibly squeeze it out of yourself, a GIFable moment requires less investment and generates a way higher return. All you need is a unique or good dork trick filmed in a parking lot and posted straight to Instagram. No video part required.
“If you dedicate a full eight months of your life to something that will be buried in a news feed overnight,
you completely misunderstand today’s skate economy.”
Bottom line, skate companies would be doing themselves a major service if they figured out the value of being conservative with their footage output. Careful curation is one of the most important skills today, and while a constant output of parts might have been considered a major plus just a few years ago, the methods of media distribution have outgrown and outpaced skateboarders’ ability to film parts.
Skateboarders need to recognize they must reel in the urge to get all their footage out and reimagine what “output” looks like in 2018, or else bury themselves in the oblivion of an endless stream of content.
DOES SIZE MATTER?
I hit up physical therapist Dr. Kyle Brown for some insight on whether or not our height plays a noticeable role in how we skate.
A FIRST LOOK AT OPERA AND SKATEBOARDING’S NEWEST GROUP OF BRANDS
Bill Weiss and a few of his close friends are picking up the pieces from the Dwindle rubble and starting fresh with a new slew of brands.
HOW CHAD CARUSO SKATED ACROSS AMERICA
Chad did it the way most skateboarders would: independently and without much of a plan.
WHAT HAPPENED TO GERSHON MOSLEY?
From punching Andrew Reynolds, to not getting "pimped" by the industry, Gershon covers everything you wanted to know.
JOSH KALIS ON BUILDING AN INDOOR SKATEPARK WITH GRANITE FROM LOVE PARK
"Laying the granite tiles was the most torturous part because you’re on your knees. It was a month straight of doing 1,600 tiles."
June 28, 2018 8:06 pm
I bet neeno makes some fucking bomb chickin
June 28, 2018 10:55 pm
This illustration is really good 👏👏👏
June 29, 2018 4:15 am
June 29, 2018 10:14 am
Might want to define skate “part.” I was thinking a skate part might be something like a truck bushing.
What’s the difference between a “skate part” and a “video clip?” If there is none, why the different terminology?
June 29, 2018 4:01 pm
Really dude? This is the argument you felt necessary to have on the Internet?